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Tricky pattern? Build a paper model first!

After a weekend of tracing patterns and sewing kids clothes (some you’ll see later, but others are Christmas gifts not to be ruined), I finally got a chance this evening to cut out the fabric for the wool jersey top from the latest Patrones, #285, that I wrote about last week:

I came across some gorgeous ex-Prada wool jersey at Ditto Fabrics (you’ll remember them from earlier in the summer when I visited their Brighton shop) and knew I was destined to pair fabric and pattern together! (NB: if you’re planning on making this top with this fabric, buy 2m instead of the 1.5m called for in Patrones as it’s ever-so-slightly narrower than Patrones’s and I had a real tricky time fitting everything into 1.5m!) I also bought some dark turquoise ex-Burberry coating, some I-can’t-believe-it’s-not-silk ex-Prada polyester jersey with trompe l’oiel sequin print, Paul Smith grey marl jersey with stars, and some black stretch denim (all pictured at the bottom of my fabric stash gallery if you fancy a perv!). Honestly, I’m beginning to think the owner Gill is a bit like the UK version of Gorgeous Fabrics, she has such an eye for quality ex-designer stuff!

The funny this about this pattern is that on first glance, it looks like a really easy garment – just a basic blouse with dolman sleeves and some horizontal seaming in the front and back, topped off with a triangular collar with a bit of gathering detail and a covered button. Or so it’d seem. Look a bit closer at the pattern pieces and start chucking bits of the instructions through Google Translate, and it all starts to become a bit more interesting…

A striped pattern-puzzle Atacac tee

I was browsing through my Instagram feed a few months ago when I saw a post by Ernie about some Swedish designers who made absolutely crazy-complicated 3D patterns and I was instantly hooked! I mean, cos you know me and pattern puzzles, right?? If I can’t work out how a pattern goes together by just looking at it, I’m immediately drawn to it!

Atacac are primarily RTW designers but they released a bunch of their RTW designs as downloadable “sharewear” patterns. They’re only in one size (size “3” on their size chart), but this happened to be my size anyway, and as it turns out, this particular tee is quite loose-fitting anyway.

Hooray for the Vogue 1280 DKNY sheath dress pattern!

Even though I live in London, I grew up in America, and my family all still live there. A week or two ago, my mom saw there was a pattern sale coming up and very kindly offered to buy me a few if I wanted! There were two Vogue patterns on my Wish List – one was a Michael Kors knit dress that’s now OOP (and her Hancock’s didn’t still have it), but she was able to buy me one of the new DKNY Vogue patterns I was after, plus ship it to me, all for less than half the price we pay for Vogues in the UK on sale!

(Ever wonder what sad souls pay the full list price printed on envelope patterns? Yeah, that’s us. Little wonder I mostly sew with pattern magazines!)

So Vogue 1280 arrived in the post yesterday, and I immediately set about devouring the instructions and construction details of this.

It’s a really interesting, asymmetrical knit sheath dress with a characteristic (for DKNY) lack of side seams, so there’s a lot going on here!

Here’s a better shot of the tech drawing from the envelope. On Vogue’s site, the tech drawing is really too small to see that nearly all the seams are lapped, with a raw-edged piece of trim inserted, and then double-stitched (hello, coverstitch!) on top.

The “Sew Your Own Activewear” Active Leggings

I’ve been waiting for weeks to share this particular design from my “Sew Your Own Activewear” book with you, and now seems as good as any! This week I’ll be talking about one of my favourite designs in the book, the Active Leggings! These started as a bit of a design progression from my super-popular Duathlon Shorts pattern, but as much as they may look similar, under the hood there are plenty of differences going on! For starters, the Active Leggings have much wider pockets (as phones have grown SO much bigger since I released the Duathlons in 2014) that are constructed differently, too, and feature a full-length leg that’s got lower leg visual interest.

In progress reports

I’ve been feverishly working behind the scenes here at FehrTrade Towers (or maybe that should be HMS FehrTrade?), but an awful lot of that isn’t quite ready to be fully shared yet…

Next Pattern samples

Case in point – the samples I’ve been making for my next FehrTrade pattern! Loads of you have been asking when this will be ready, and the answer is, well, it should be up for sale within the next two weeks. This pattern is for a top that can work for workout wear or casualwear, so it means I’ve been sewing even more samples than usual to show off both sides of it. I’m not yet ready to reveal the tech drawing, but you can see how colourful my samples have been so far!

I’m pretty sure the teal-y one in the upper right might be my favourite top EVAR…

Anyway, I really do hate to be a tease, but I hate it even more when I see something I really want to buy then have to wait ages (by which point the excitement has worn off), so I’m trying to hold back until I have an exact release date for you guys. The wonderful thing about digital patterns is that I don’t have to wait for any printers to release it!

Workout Inspiration

Speaking of FehrTrade patterns, have you all seen the XYT Workout Top hack Rebecca did for Sew Indie Month? Those of you who prefer a more loose-fitting workout top might be particularly interested in her changes, just saying…

And if you’re looking for inspiration to get more bang for your XYT Workout Top buck, then you may want to consider using this Athleta/Gap “Zahara Tankini” as inspiration – it’s a dead-ringer for the T-Back version!


(Thank you to whomever sent this to me, I’m so sorry but I’ve lost the email!)

The Vogue 1259 Donna Karan gathered skirt set

I’ve finally finished Vogue 1259! I don’t regularly sew Vogue patterns (or any envelope patterns, for that matter), but like plenty of other people, I just loved this design as soon as it appeared online, and I just couldn’t wait to sew it up!

I used this mushroom-coloured viscose/cotton/lycra jersey from Tia Knight on ebay, and it was perfect for this pattern. You really need something lightweight and drapey, because there are a LOT of gathers that would get bulky very quickly in anything heavier. Vogue don’t give combined yardages for making the top and skirt, but 3m was just enough for me to make both, in size 16, using their recommended layout.

This pattern is marked as “Advanced”, and I think the top definitely qualifies, both for construction, as well as the cutting and marking, and the following of their instructions (which certainly don’t make things easier!). The skirt, however, could easily be made by a beginner. So if you’re intimidated by the “Advanced” label but like the skirt, go for it!

The "Lauriana meets Dolce & Gabbana" dress

First up in my duet of winter knit dresses is this amazing knit cowl dress that fellow sewist Lauriana drafted for me(!!!) this summer. Whilst designing this, she not only correctly observed my size, but also that I adore cowl necks and assymetrical details, and gave me the option for a sleeveless or sleeved version! She’s the best! Since I’m in dire need of comfortable winter dresses, I opted to go for long sleeves this time around, but I would definitely make this again for summer without them.

I made it up in some luscious Dolce & Gabbana viscose knit that I bought at Ditto Fabrics HQ in Brighton in June. It’s been in my stash just waiting for the perfect pattern match, and since it’s such a crazy, busy print, I thought this pattern with both front and back on the fold would be great for keeping the swirled dots intact.

Prada meets Patrones

Ahhh I finally get my designer fix! Patrones may have stopped attributing designer names to their patterns, but it hasn’t stopped me from adding my own glamour to the mix… This short sleeved top with an interesting gathered and buttoned triangular collar is no1 from the latest issue of Patrones magazine, #285:

So where does the Prada come in? Well, the fabric is a gorgeous ex-Prada olive wool interlock from Ditto Fabrics in Brighton. I’ve only ever sewn wool jersey once before, and after the struggle I had to keep that from rolling onto itself in both directions, plus having to use double layers to keep it from being see-though, I wasn’t overly keen to sew with it again.

But oh my god, the difference between these two fabrics is like night and day! This wool interlock is just beautiful – it washed up a dream, behaves beautifully in the overlocker and sewing machine, presses and molds the way you want it to, and is just SO soft you’d never guess it was wool at all. Honestly, this stuff is just amazing to touch.

If you remember, I had some difficulty visualising how the pattern pieces fit together in this top, partially down to my not speaking Spanish, but also due to the 2D nature of the technical drawings and the one limited magazine photo. So I made a paper model to help figure out that the collar actually is detached from the neckline in front (the neckline being bound by a bias strip) and the sleeves have pleats on the upper arm where they meet the sleeve band. If you’re interested in the construction of this pattern, I recommend you open the earlier post in another tab now to refer back to while you look at the perty photos!