Burda magazine April 2014

I wasn’t overly keen on last month’s issue, but there’s a lot to love in this one! Even the designs I didn’t like definitely had their own merit – lots of details and designs with thought behind them, and nary a shapeless sack in sight! But let’s take a peek inside for my picks…

I didn’t like much from the Southern style feature (nothing wrong with it, just not for me!), but I love that Burda have snuck in another cycling pattern, hot on the heels of last month’s seat cover! I really love the look of panniers, and I think these are a great design, with or without the frills.

The only Southern style garment that really jumped out at me was this shirt with the front, “bib” yoke. I don’t tend to sew many woven shirts for myself, but I really like this pattern, and it’d definitely be good in the summer heat!

I’m convinced that someone at Burda HQ has either studied at Bunka, or else is just really into Japanese-style pattern cutting, because we’ve had at least one design a month that just has Bunka written all over it, and this dress is certainly it. I had a bit of a “Burda WTF” reaction at first, but the more I looked at it, the more I think it might actually be kinda cool. Or uncomfortable – I’m not so sure about that left sleeve with the flat sleevehead. But I’m kinda into the uneven tube concept, even though I’m unsure whether it’d work in real life.

Here we see the cover dress in more detail, and it’s utterly gorgeous. This is the best about Burda – a flattering, edgy, and well designed dress that’s made accessible to everyone. Those skirt petals are just inspired and the topstitching and seaming is just icing on the cake.

Burda magazine July 2016

Burda definitely keep up with the seasons, but I still kinda miss the reliable rhythm that the issues used to have back in the day – January had loungewear, March was always the wedding special (the only one they’ve reliably kept!), some menswear in April, May had tons of dresses, August was the Fall fashion previews (and usually maternity, too), cocktail dresses every November, and evening gowns in December. But my least favourite was always the summery beachwear in the June and July issues, because there was pretty much nothing I could wear in an English summer, where it rarely gets about 70-75F (25C)!

But in recent years Burda have been mixing things up, and the old scheduling has given way to more unpredictable features, which I think gives more variety and appeal to a wider rare of sewists. This issue certainly has a lot more than I’d usually like from a July!

Burda magazine December 2014

It’s the last issue of the year, boo hoo! Oftentimes Burda have some easier projects (including menswear) you can make for gifts in their December issues, but this one’s just for ladies and girls. I initially wasn’t that impressed with this collection, but the more I looked through it, the more I found myself drawn to a few…

I’ve often admired the sequin tops other sewists have made, but I’ve never quite gone as far as to buy some sequin fabric for myself. This boxy jacket might change that, however!

This dress is the Tall offering this month, and even though the shorter, peplum top versions works fairly well, I pulled this out because the simple act of adding a straight skirt onto the curved seam means the model looks absolutely pregnant. Not really a look anyone wants, and it seems like a good idea drafting-wise. But in practice? No!

I’m really not a fan of the dress (square neckline, yes, but the puffy sleeves and awkward pleat at empire waist? Urgh.), but I love the little girl’s coat! Like the trench cape a few issues ago, I’d totally make this if it were in adult sizes!

This little boxy jacket for girls feels like the sister to the ladies’ sequin jacket above. They’re both for special fabrics and have a similar fit and seam lines, without feeling too “mini me”.

I utterly love the asymmetric collar on this coat, plus the off-centre closure, and (though it’s hard to tell in the garment photos) the hidden pleating just above the pockets would really give this some wonderful shaping. They’ve gone one step further and appliqued fancy lace over a portion of the wool coating, which I just love. Two thumbs up for this one, Burda!

Manequim magazine May 2014

It is an excellent time to be a pattern magazine subscriber, and I think this week’s posts on the June Burda, April Manequim, and now this May issue are a great illustration on the variety and fashion forward elements that just aren’t being seen in the Big Four right now.

The other two issues this week have been fantastic, but this May issue may just top them all… I don’t think I’ve ever scanned so many pages from one magazine before!

First up are the Plus offerings for this issue – three different dresses all with illusion-type colourblocking made popular by Stella McCartney recently.

As you may have guessed from the cover, there are maternity patterns included this month for the first time that I’ve ever seen! The cover blouse is the nicest IMHO, but there’s also patterns for a skirt, trousers, and a caftan-like dress, too.

The designer style patterns this month use Jason Wu as their inspiration and we get a really intricate jacket with wide lapels but loads of the sleeve details are just swallowed by the floral print. There’s also a cutaway shoulder blouse with a wide hem in multiple sizes, and also a dress with some stunning lace appliques. It might be difficult to source a similar lace, but the dress pattern is offered in a whopping 6 sizes, so it’s a great pattern to have as a jersey base for comparing against & modifying to become other styles not in your size.

I stopped buying Patrones magazine a while back as I only ever really liked the winter issues anyway, and I was getting a bit bored of their styles. But to me, Patrones really made the best coat patterns ever. Let me tell you, this coat feature here is enough to make me burn all my back issues of Patrones and sew all of these instead.

Take this pink coat for starters – immaculate clean lines – the princess seam goes straight into that angle to form the pocket. The raglan seams draw the eye to the face, and there’s no collar in the way to distract from the simplicity. YES.

This pattern appears to have everything I’d ever want from a motorcycle jacket, and sewn in coating rather than leather. Again, the attention to detail here is great – I only wish I could see more clearly what’s going on with that right side (as worn) pocket…

Again with the crazy amount of details and fabric mixing – is it a trench coat? Is it a biker jacket? It’s apparently made with faux leather, coating, and a polyester (presumably the fabric with the holes) and you know how much I love to mix different textures in the same colour!

And lastly in the coat feature, I adore this colourblock coat with the stripe running through just above the waist. Very striking but very classic at the same time.

Now some of my long-time readers may recall that in the very first issue of Manequim I ever had there was a feature on chic uses for sweatshirt and I squealed with delight. OMG IT’S ANOTHER CHIC SWEATSHIRTING FEATURE. And this time it’s even better. I had to restrain myself to even leave one pattern out of my picks.

This dress! You could totally leave the lower sleeves off and it’d work well with cap sleeves, too!

Burda magazine June 2014

I don’t know what’s in the water over at Burda HQ, but they are seriously on a roll right now – it’s been an amazing few months of consistently great issues, but seriously, this issue takes the cake! I’m usually not a fan of the summer issues, but there are just so many fantastic designs I want to make in this one that I found myself scanning nearly every page!

So settle on in, this is a long’un…

A few years ago I would’ve been all “oh, a feature on shorts? Yawn, flip through…” but upping my running game (plus having an actually hot summer last year) has made me appreciate shorts a lot more! Burda gets several brownie points for this pair because a) they’re sporty, b) they’re a great length, c) pockets! and d) they used a non-white model. Big applause all around.

Now, this is the exact same pair of shorts as above, but with curved seams for colourblocking. If it were me, I’d have put the dark portion at the crotch rather than the reverse, as this is a good trick I learned from a cyclist for disguising saddle sweat marks, but it also goes to show that you can just draw lines like these on any shorts pattern and get the same effect.

YES. I may have already traced out this classic racerback vest (tank) in order to use up a few 1 meter pieces of awkward, “not really what I was expecting when I ordered but still nice” jerseys…

And let’s talk about these shorts with the angled overlays – these must be a knockoff of a designer garment because this is now the third time I’ve seen patterns for them – first in the January Manequim magazine, and then again when Simplicity released 1370, which has a view for this, too! (Actually, I’d love to do a comparison post on these three if someone could send me a scan of the Simplicity pattern piece layout, please? They’re stupid expensive here.)

On to the next feature, which is entirely based on Japanese-inspired cutting techniques. oh my god are you kidding me?! An entire feature based on unusual cuts, seamlines, drapes, and nary a cheap “Asian brocade” or kimono in sight – think Pattern Magic or Drape Drape. YES.

First up – this dress with an overlay which sweeps over the shoulder and around to the back. I could see this being an amazing formal gown, even though Burda have made it in a fairly casual fabric here.

The Bunka-esque asymmetric Burda top

This might be the quickest turnaround for a pattern I’ve made in ages, but last weekend I put together the weird, conceptual “tube” tee from the April 2014 Burda magazine (I’m so current!!) and some splatter-print viscose lycra jersey I bought at Hancocks when I was visiting my folks in Virginia in November. Or it’s up on the US Burdastyle already should you wish to buy the pdf.

The pattern itself is rather avant-garde – it’s really just one big rectangle! On the right-hand side (as worn) there’s a side seam and a pretty normal, set-in sleeve. But on the left it’s just a fold instead of a side seam and a horizontal slit is cut in, where a sleeve with the sleeve cap chopped off (no, really!) is set into that. The neckline is just the top of the rectangle and is only an inch or two narrower than the hem!

I wasn’t so sure that the weird left sleeve would actually be comfortable, but it really is! I don’t even notice it when I’m wearing it, and it doesn’t really look strange when worn, either.

The body feels super voluminous and quite long to me – I’m tempted to narrow it and the cowl neck as well. I made a Burda size 40 which should be true to my new measurements, but everything is super wide – I’d definitely consider going down a size in the rectangle, but keeping the sleeves at your true size.

Happy 2023! (Year in Review)

For the past 15(!) years I’ve posted my year in review on 1 January, but not this year. I lost my sewjo around the end of September so I didn’t really have much to blog about. I waited for it to reappear (as I learned a long time ago there’s no point in trying to force it) and prepped a few projects, tidied a bit, planned a bit, and then fell into a massive “Interview with the Vampire” fandom hole (more on that later), and generally was happier in October and November than I’ve been in a long time (completely unrelated to the sewing) but that’s not the reason this post is late.

This post is late because, despite my best efforts (cycling to/from, FFP3 masking indoors with my CO2 monitor and otherwise staying outdoors) I caught a virus of some sort at the office christmas party which left me practically bed-bound with post viral fatigue for 4+ full weeks (no, not Covid, not flu, not RSV, not anything they swabbed for at haematology, but thankfully not EBV either). Like, 21+ hours a day in bed, and if I sat up for more than 15min to eat or drink, I’d have to lie flat for another hour. So sitting up to type was impossible, and I wrote this in pieces on my phone when I could, not being able to put it all together until I started improving a little bit in the past few days.

So apologies that it’s late, and for the blog silence for the past few months, but hey, 2023 can only get better from this dismal start, right?? Without further ado, let’s have a look back at 2022…

Happy 2021! (My year in review)

What. A. Year! I’m not even going to attempt to sugar-coat things, and any attempt to try and put things into perspective just sounds like a cliché after all this. But for a year where I was essentially under house arrest since March, it’s surprisingly not all bad. Above all else, I’m grateful to have spent the time with my husband and that we both were able to continue our office jobs from home at full pay and remarkable support. My sewing was both a welcome distraction and a balm in this year of chaos and uncertainty.

I’m going to try to use my usual year-end format again, though this was clearly a year that broke all attempts to contain it so let’s do what we can (clearly a motto for the year!)…

Happy 2020! (My year in review)

Happy new year! I always like to take the opportunity on the start of a bright new year to look back on the year that was – what I made and loved, what I made and swore at, and other big life milestones that will make 2019 stand out in my mind. And because I love stats, I also like to take a step back and get an overview of what I’ve been making to get an eye for any trends that may have escaped me at the time…

Happy 2019! (My year in review)

Happy new year! It’s traditional for me to reflect on the year that’s just finished on the first of a new year, and this year’s a weird one because I’d love to just say “this year sucked”, but there were some fantastic things that happened this year amoungst all the sickness, disappointment, frustration, and hard work. So let’s try and focus on those.