Search Results for: designer colourblocking inspiration

Designer colourblocking inspiration

My next pattern is off with the pattern testers right now and I’m frantically sewing up final samples for photoshoots, filling in missing illustrations, and responding to comments as they come in, but I’ve managed to occupy my brain with the thought of things I might sew for fun next!

I did indeed wear my traced-from-RTW mustard yellow sheath dress to Number 10 Downing Street last week, and even managed to get some photos with the famous door(!) afterwards, but you’ll have to wait for those until the proper photoshoot is done showing the rest of the dress details in some decent lighting.

But I can say already that I love the dress! It needs some slight tweaking to the shoulder area, but apart from that, my tracing was spot-on, and I’m so chuffed it turned out so well without a muslin.

The crazy seaming really started getting my brain thinking about all the ways it could be colourblocked, though, and I looked up and suddenly found inspiration from a magazine photo I’d cut out years ago and had hanging on my sewing cave wall!

So I rummaged through my ponte scraps and realised that I had the most perfect shade of teal viscose ponte leftover from a client commission, and together with the leftover mustard scraps (and some newly-bought white ponte), I could make my very own Chalayan-inspired sheath dress!

I whipped up a tech drawing in Illustrator so I could play with the different colourblocking combinations, and I’m not sure which I should go for.

I’ve only got 1.2m of the teal and even less of the mustard, but I could buy whatever white I need to make up the rest. I think I have enough to make any of these combos, but I will of course double-check with my pieces before I order the white.

I also finally sewed up a muslin of this short coat from the Sept 2010 Burda (also known as one of my favourite issues Of. All. Time.):

Designer-inspired Colourblocked Sheath Dress

I started planning this dress way back in the first week of December when I got your opinions on all the different colourblocking options, and it should tell you everything about how crazy busy I’ve been that I’ve only actually been able find the hour or two to make it last weekend.

You may recall the story of this “pattern” from when I made it in a solid, mustard-yellow ponte the first time around – I had a very well-loved ASOS dress that I traced off so it actually wasn’t from a pattern at all. (Others have asked if I’ll release it as a pattern, but it doesn’t really fit with my brand sorry!)

What I didn’t show you is that I tested my few pattern changes afterwards with a version of this pattern colourblocked in random ponte scraps from my stash, shortened to top-length, minus the CB invisible zip, and with a teeshirt-bound neckline instead of a facing.

It actually works quite well as a top (though I think the pieces near the hem could be better thought-out), but I wasn’t quite sold on the colourblocking choices, which were mostly decided based on fabric scrap sizes. It felt a bit… starfleet commander. And that’s a look only Catherine Daze can pull off!

But the original goal was to make another dress similar to the mustard-yellow version, inspired by this Chalayan dress that’s been hanging on my sewing room wall for ages:

I had the perfect teal viscose ponte leftover from a client commission, but I went out and bought a half metre of white and a metre of mustard ponte at Goldhawk Road to make up the other pieces. I really wanted the yellow at the waistline curve, but that would’ve meant having the white at the hem (instant grime!), so I ultimately went with the second colourblocking option!

I finally got a few minutes to cut out the pieces in mid-January (having been ill for the entire Christmas holidays!), but then I had to fly to the States for my Granny’s funeral a few days later, and the pieces were waiting for me when I got back. I finally had two hours spare last weekend to close myself into my sewing cave, so this was a great pick-me-up to get me back on track.

Burda magazine January 2015

I hope you’re not too sick of my magazine reviews just yet – a bunch of them arrived all at once and I know a lot of you find them as a great source of inspiration, not to mention a guide as to whether it’s worth buying the issue or not! This is the first of the 2015 issues to grace my postbox, and Burda have really started the year off right!

omg omg omg, this is the short coat/jacket pattern of my dreams!! This is exactly what I was looking for – it’s perfect for my navy wool and vintage Italian silk I’d already bought, plus look at those seam lines! The back view is even better, with amazing seaming at the upper back, plus the asymmetry?!? I’m in love. And yes, I’ve already traced this out and dumped the other pattern (sorry, September 2010 short coat!).

I can see this boxy sweatshirt pattern being a really versatile design (with or without the notched neckline), and I think the skirt is a seriously nice, too. The side panels give it a nice bit of flare and motion, but there’s no risk of it being blown around in the wind, either, since they’re secured into those front seams. The only thing I don’t like is that the edges are kept raw, but that could be fixed easily enough.

There’s an unexpected maternity feature in this issue, which features a lot of casual separates. This shirtdress looks to be really versatile, but I’m not sure I buy into Burda’s suggestion that you could wear it after pregnancy, too… Maybe with a massive obi-style belt, but you’re still pushing it!

Yes, I really am that predictable – as several of you have already let me know(!), these trousers are totally me. And you’re right, I do really like them!

Mustard ponte seamed sheath dress

Like many of my most well-loved dresses, this one was quite a long time in the making. A few years back I’d bought a yellow ponte sheath dress from ASOS that had some amazing seamlines. I don’t often buy clothes anymore these days (preferring to spend my time sewing than fighting my way to the shops, or waiting days for an internet purchase that’s low quality or not quite right), but I really liked this dress, and wore it often despite the sleeves and hem being too short. Inevitably, the yellow also got dingey and pilled over time, but I still liked the overall design.

So I traced it! I literally just laid the dress over brown paper and ran a serrated tracing wheel over the different sections, leaving an impression underneath, just like how I trace patterns. I remember I traced James’s well-loved linen shirt at the same time, so it was a few months ago, and even though I had this mustard ponte in my stash for even longer, it took me a while to get around to sewing it up.

It may look like a complicated design, but it’s actually really quick to sew up on the overlocker, and only the back invisible zipper takes a little bit of sewing machine time.

Here you can see me holding the original dress, whilst wearing my copy!

All the things I loved about the original dress are present here – the figure-hugging design, the flowing, curved panels, the vibrant colour – but the sleeves are nice and long instead of “unintentional bracelet length”, and the hem doesn’t go scandalously short when I bend over!

Burda magazine August 2014

Many thanks for your get well soon messages – I think it definitely worked, because no sooner did I post that than I started to feel a little better! I’m still not back to 100% right now, but I felt well enough to try a very easy and short run this morning, so thank you!

To show my thanks, I’m going to share my picks from the latest Burda magazine, which arrived this week. Usually the August issue is the start of the Fall fashions, but this seems more like a transitional issue – lots of summer wear but some great long-sleeved pieces, too.

First up from the “macaron pastels” feature is omg I must make this pieced sheath dress! Burda clearly love it, too, since they made it three times in this issue. My only letdown is that the back is very boring indeed, so if when I make this, I’ll be slicing up the back and adding similar diagonal seams like I did with my swirled sheath dress (still one of my favourites ever, I might add!).

The dress on the left really reminded me of the RTW dress I wore to a wedding recently – though you didn’t see the back, it too had a lower back cutout! I also rather like the pleated teeshirt on the right. It also comes in a solid-sleeve version and the pleating detail reminds me a lot of the pleats on the neckline of my favourite Manequim silk blouse pattern.

Now, I really hated the shiny, glittery, tacky disco fabrics they used in this feature with the “DJane” (a term which I’ve never, ever heard before. Nor had any of my music-industry friends – though urban dictionary has some feelings on it!). But, if you look beyond the gold lamé here this surplice-neck top has a lot of great design lines, and I love the idea of a pleated band, too.

Manequim magazine May 2014

It is an excellent time to be a pattern magazine subscriber, and I think this week’s posts on the June Burda, April Manequim, and now this May issue are a great illustration on the variety and fashion forward elements that just aren’t being seen in the Big Four right now.

The other two issues this week have been fantastic, but this May issue may just top them all… I don’t think I’ve ever scanned so many pages from one magazine before!

First up are the Plus offerings for this issue – three different dresses all with illusion-type colourblocking made popular by Stella McCartney recently.

As you may have guessed from the cover, there are maternity patterns included this month for the first time that I’ve ever seen! The cover blouse is the nicest IMHO, but there’s also patterns for a skirt, trousers, and a caftan-like dress, too.

The designer style patterns this month use Jason Wu as their inspiration and we get a really intricate jacket with wide lapels but loads of the sleeve details are just swallowed by the floral print. There’s also a cutaway shoulder blouse with a wide hem in multiple sizes, and also a dress with some stunning lace appliques. It might be difficult to source a similar lace, but the dress pattern is offered in a whopping 6 sizes, so it’s a great pattern to have as a jersey base for comparing against & modifying to become other styles not in your size.

I stopped buying Patrones magazine a while back as I only ever really liked the winter issues anyway, and I was getting a bit bored of their styles. But to me, Patrones really made the best coat patterns ever. Let me tell you, this coat feature here is enough to make me burn all my back issues of Patrones and sew all of these instead.

Take this pink coat for starters – immaculate clean lines – the princess seam goes straight into that angle to form the pocket. The raglan seams draw the eye to the face, and there’s no collar in the way to distract from the simplicity. YES.

This pattern appears to have everything I’d ever want from a motorcycle jacket, and sewn in coating rather than leather. Again, the attention to detail here is great – I only wish I could see more clearly what’s going on with that right side (as worn) pocket…

Again with the crazy amount of details and fabric mixing – is it a trench coat? Is it a biker jacket? It’s apparently made with faux leather, coating, and a polyester (presumably the fabric with the holes) and you know how much I love to mix different textures in the same colour!

And lastly in the coat feature, I adore this colourblock coat with the stripe running through just above the waist. Very striking but very classic at the same time.

Now some of my long-time readers may recall that in the very first issue of Manequim I ever had there was a feature on chic uses for sweatshirt and I squealed with delight. OMG IT’S ANOTHER CHIC SWEATSHIRTING FEATURE. And this time it’s even better. I had to restrain myself to even leave one pattern out of my picks.

This dress! You could totally leave the lower sleeves off and it’d work well with cap sleeves, too!

Where to buy exercise fabric – a global list

One of my most frequently asked questions is definitely “where can I buy fabric for yoga/running/exercise/etc?”, so I thought it’s high time I make an attempt at something like a global list.

In general, though, the word you should be searching for is “Supplex”. This is a brand name, though, like Lycra (whose generic term is “spandex”), but the generic alternative is something like “wicking spandex”, and generally isn’t used as often as “Supplex” in fabric stores, I’ve found.

If you can buy supplex at a decent price, buy it. It’s soft, has great recovery, wicks away moisture while you’re sweating, and stands up to washing without a ton of pilling. It can be hard to find though, and sometimes only comes in a limited amount of colours, but I wouldn’t hesitate to run a marathon in supplex – it’s great stuff.

If you’re running shorter distances, or in cooler weather, you can get away with exercising in any number of lycra/spandex jerseys, though. These won’t wick sweat away, but they come in a gazillion colours and prints, plus have a multitude of foil and sequin effects, and can be way cheaper, too. Ditto goes for swimsuit fabrics – you can certainly use them for shorter exercise sessions even though they’re not wicking. Personally, I wouldn’t mind running a half marathon on a cool day in lycra leggings, but your mileage may vary (pun intended!).

Manequim November, December 2011 and January 2012

I’ve got a bumper stack of Manequim magazines to show you! A few turned around the same time in December due to the holiday post office disruption, and then the summer styles didn’t really inspire me to review these right away, and then the flu struck me down for a full fortnight… but it means you get to see a bunch of Brazilian summer fashions all at once!

There actually should’ve been a fourth issue here, too, but the other November issue (629) never turned up, and was presumably lost in the post. Bummer. I don’t really understand why Manequim always do two issues in November, but it seems that this one was lost for a lot of people – when I requested a replacement, they didn’t have any more in stock, so my subscription was extended instead. I’ve since seen that Melissa‘s copy of this issue was also lost but turned up months later, so I still live in hope! In any case, if you want to see photos, you’ll have to check out her review…

November 2011 (630)

I quite like this teeshirt with the draped hem, though I have no idea why they decided to hide its defining aspect by tucking it in…

I really like the cut of this relaxed tee, especially the shoulder seaming, but I’d love to see this in an unexpected fabric, like a silk crepe or linen instead of the usual jersey.