A Green Skirt Suit

Happy Christmas! While not a holiday-specific make, I thought the colour of this outfit alone was rather festive and worthy of posting on Christmas Day itself. Enjoy! -melissa

Remember back in the summer when I made that cropped Manequim blazer with the matching wristlet to attend a friend’s wedding?

Well, I had a small amount of the textured green fabric leftover and I thought it might be nice to make a simple skirt to add to the jacket and bag so I could wear it as a smart skirt suit. Simple skirt patterns are a dime a dozen, but I really wanted to try out one in particular as it has a completely flat front and only two darts and an invisible zipper in the back. The only issue is that it’s unreleased, so I can’t tell you where it’s from yet, but I promise I’ll remind you and link back here when you’re able to buy it.

I don’t have many skirt suits as I don’t have much cause for business-wear, but I when I was making the jacket, I fondly recalled the silver cropped jacket and matching skirt I made back in 2010, and thought it might be a look worth recreating in green!

A blue and white jumpsuit

As you may recall, I spent quite a lot of time last year working behind the scenes on the Great British Sewing Bee, first for the third series, then for the Children in Need specials, and finally, for the book which accompanies the series. I personally worked on about 60% of the patterns in the Great British Sewing Bee: Fashion with Fabric book, either by sewing up early samples, measuring yardages or trims, or assisting the illustrators with the construction. So it’s probably quite funny that the first pattern I make from the finished book (not counting the green pencil skirt, which I made from the book before release!) isn’t one I really worked on at all – just one I admired across the studio while others made adjustments.

It’s a pattern for a jumpsuit with an elasticated waist and spaghetti straps with a flounced neckline edge. There’s no fussy closures – you just pull it on and off by stepping into it, and I’d definitely say it’s beginner-friendly, especially since the instructions are fully illustrated. The bonus is that you can also make a pair of casual trousers or a camisole top using the same base jumpsuit pattern (also explained in the book).

In my experience, the trickiest part of this entire jumpsuit was finding the right fabric! It needed to be something hefty enough for the trousers, but also lightweight enough to drape nicely at the neckline frill, and I eventually found this blue & white crepey viscose from Ditto Fabrics that’s the perfect weight and resists wrinkling so it should be perfect for travelling. It did fray like crazy though, so I constructed this mostly on the overlocker (serger).

Doesn’t this just scream summer?? In terms of size, I made Size 14 according to my measurements, and it fits really well – no alterations needed (I should point out that the top/camisole has bust darts so should be easy to do an FBA if you need one).

I wore this out to a pub lunch with friends on Sunday, followed by a little walk in St James’s Park (where these photos were taken) and then more pubbing! It was a little chilly, so I layered a grey cropped jacket over top.

The Draped jacket & skirt suit

I’m very happy to report that my draped suit (Burda September 2011 #126 and 127) is finally finished! It feels like I’ve been sewing this for f-o-r-e-v-e-r and I am thoroughly sick of it now!

If you recall, it’s a two-part suit, with a draped, collar-less jacket and a pleated pencil skirt:

I’ve been sewing both of the pieces in parallel, so I’ve finished them at the same time. I like a lot of aspects of this suit, but to be perfectly honest, I’m not totally in love with the overall resulting look.

The jacket and skirt together!

Things I really like:

  • The lapel-less shawl collar construction
  • The asymmetric drape
  • The three part, bell shaped sleeve
  • The two-tone, piped lining
  • The folded and seamed facing on the draped side
  • Pretty much everything about the skirt
    • The drape makes for a rather elegant side view, too:

      Things I don’t like:

My bias silk 40th birthday gown

Happy 40th birthday to me! Since it’s a big birthday year I kinda felt like I just had to celebrate big, too! So we rented the whole of a private members cocktail bar near Kings Cross, invited a bunch of people, laid on pizzas, and let the rest just happen! Every year I like to make myself something special to celebrate my birthday, and I felt like I should sew a big, glamorous dress for myself to feel like a total star at the party, too.

I happened to have four meters of gorgeous copper-coloured silk satin (charmeuse) in my stash which I’d bought from Truro Fabrics back in 2015 with the intention of sewing a gown for the World Transplant Games gala dinner in Argentina. But I didn’t quite have enough time to sew it before we left, and the silk has been in my stash ever since. I still had the receipt in with the fabric, too, and the price reflects the incredible quality of this silk – I’d paid about £75 for it.

Burda magazine February 2018

Apologies for the late review of this issue, but considering the March edition hasn’t quite appeared on newsstands here in London yet, I think I’m technically still within the right timeframe. I know how much you all enjoy these roundups so I’m trying to post them whenever I can, but I hope you appreciate that my book posts take precedence (and a huge amount of time!).

So let’s dig in to this issue and see what we can find…

Happy 2016! (My year in review)

Each year I like to take the first of January to look back on what I’ve sewn in the previous year. So while this post is a celebration of the new year, it also helps me to put into perspective the year that has just gone. Somehow I always think the year has been a bit low on finished makes until I put everything together for the year’s collage!


Click the image to see it better, or right-click here to see it in a new tab to get a better look!

Tip: If you’d like to skim back through the posts for the above projects, you can click Gallery in the top menu, which will only show you finished projects, without all the magazine reviews and in-progress reports getting in the way! (Though a few of the makes in the bottom row I haven’t blogged about yet!)

The Year in Stats

In terms of pattern companies used this year, I made:

  • 25 FehrTrade patterns (I put my money where my mouth is I guess!?),
  • 9 Seamwork magazine,
  • 6 Self-drafted (including traced from RTW),
  • 4 Jalie (well, the same sports bra pattern four times!),
  • 3 from the Great British Sewing Bee: Fashion in Fabric book,
  • 2 Burda Style magazine,
  • 2 Style Arc,
  • 2 Orange Lingerie,
  • and 1 each from La Maison Victor magazine, Named, Paprika Patterns, Imagine Gnats, Simple Sew, and Kwik Sew.

By my count, I made: 21 tops, 19 trousers (including leggings & shorts), 2 jumpsuits,
2 dresses, 10 pieces of lingerie (bras, panties, slips, etc), 1 bikini, 2 jackets/coats/cardigans and zero skirts (!). I made presents for my mom, sister-in-law, niece, and nephew, and James also received four tops and a pair of lounging bottoms this year, the lucky guy!

A whirlwind of activity

You can pretty much assume by this point that if I’ve gone a bit quiet on this site, then it probably means I’ve been sewing up a storm behind the scenes and am just struggling to find the time to tell you all about it! And yes, it’s happened again… So I’ll try and catch you up on a bunch of things at once!

Sewing Indie Month – Pattern Bundle 1

Remember how much fun Sewing Indie Month was last year?? It was a full month full of interviews, great tutorials (like Heather Lou showing you how to turn my XYT Workout Top into a summer maxi dress!), and fabulous Sew Along prizes and it’s back again this September!

But because us pattern designers know how much you all love a bargain, we’ve joined forces to create two pattern bundles in advance of Sewing Indie Month, and the first pattern bundle is on sale now through Wednesday 12 August only.

Click through to see all the included patterns and the different tiers, including some brand new patterns exclusive to this bundle! The cool thing here is that you’re not only buying these patterns for well under the usual price, but 20% of bundle proceeds will be donated to the International Folk Art Alliance, which provides education and exhibition opportunities to folk artists from around the world. So you’re helping out other crafters, too!

I made the Lolita Patterns Sugar Plum dress a few years ago and honestly, it’s one I still wear in regular rotation (and looks so much better than the photos in my post, annoyingly!). The Sugar Plum dress is a knit/woven hybrid, but the patterns in this first bundle are mostly wovens, so the sale timing gives you time to make muslins before the sewalong contest begins in September while supporting small women-owned businesses and raising money for charity. You can see the size range for each of the included patterns here, too.

Aztec Duathlon Shorts

Psychologically, short shorts make me run faster. Well, not really, but I think they do, and that’s all I need! So, a few weeks ago, with the British Transplant Games coming up, I managed to squeeze out a new pair of Duathlon Shorts for the occasion!

Book review: The Great British Sewing Bee: Fashion with Fabric

This is not an unbiased review – if you recall, I worked behind the scenes on the production of the third series of The Great British Sewing Bee tv show, then again on the Children in Need specials (which were actually recorded after the main series, despite airing first), and right after that was done, I started work on the book which accompanies the series, The Great British Sewing Bee: Fashion with Fabric, under the amazing, dedicated, and super talented Claire-Louise Hardie (aka “the thriftystitcher”).

But even though I spent several months as part of the sewing team who developed, adapted, sewed, illustrated, and assisted with the patterns in this book, I have zero financial stake in the sales of this book – I’ve already been paid for my work, regardless if there are zero sales or several million. So this review is unbiased in that regard anyway.

But really, I mostly want to show you all what’s in this book, because a) myself and the team worked really freaking hard to deliver a book chock full of quality patterns, and b) because it really is the perfect book that intermediate/advanced sewists have been craving for a long, long, time. Don’t get me wrong – there are some easy, beginner styles in here, too, but there are loads of projects that are more advanced and have really interesting shapes and design lines.

It should really say something that I spent months of my life sewing up these patterns (both the ones you see as samples in the book, but many, many test versions you don’t see) and I still want to make a ton more. Seriously.

But let’s start with the patterns, shall we?

It’s a great sign that the pattern sheet stack is nearly as thick as the book itself, and each sheet is labelled on the upper right corner so you can see which patterns are printed on that sheet as you flip through the stack. The patterns need to be traced (here’s how I trace a pattern, btw), but they’re colour coded and really nicely spaced out – waaaaaay easier on the eyes than Burda’s pattern sheets, for example, and the sheets themselves are printed on hefty paper, a bit like the old KwikSew patterns. And the sheets aren’t freaking enormous like Vogue’s ones that cover my entire lounge!

Here’s the size chart, which ranges from size 8 (B32.5/W25.5/H36in) to 20 (B45.5/W38.5/H49.5in). Since there are also kids and mens patterns, too, there are (obviously!) different size charts for them. But there are also a few garments in the book which you draft from your own measurements, so if you’re outside the size range you can still make a few things (like Lorna’s curtain skirt from episode three!).

There’s the obligitary section at the start of any sewing book explaining about the supplies you need, how to trace a pattern, sew hand stitches, etc. To be honest, I always just skip past these since I know what I’m doing. But there’s also a section on common fit alterations like an FBA or trouser fitting alterations, too.

But onto the patterns themselves! I haven’t highlighted every single one, but rather pulled out my favourites (or ones where I’ve sewn the sample you see in the book!). For each pattern, you also get a “hack” variation which re-uses the same basic pattern pieces but in a new way to get a totally different look. IMHO, Claire-Louise did a great job in putting new twists on these patterns and showing how you can really make them your own.

In the Cottons section, you get a pattern for capri trousers, which you may recognise from the first episode!

KnipMode magazine – December 2014

What a blast from the past, right?? Some longterm readers may recall that I used to subscribe to the Dutch pattern magazine, KnipMode, but the quality of the designs really went downhill when they appointed a new editor and I let my subscription expire back in 2012. It was an easy choice, since it was the most expensive of my magazine subscriptions, but when I get the opportunity, I still pick up the odd issue from continental newsstands.

Well, we were in Brussels shortly before Christmas for a festive weekend at the Christmas market, and on our drive back we stopped in at a Belgian supermarket. I was surprised to find KnipMode on the magazine rack, and I couldn’t resist seeing what KnipMode were up to these days. Clearly loads has happened since 2012, as they’ve not only had a complete redesign, but have a new publisher as well! The editor I blamed for the downhill spiral is still there (grumble grumble) but the designs look decent in this one, so I’ll hold out hope…


“Knip” means “cut” in Dutch, so I think the new scissor logo is quite cute!

First up is a green party dress with lots of gathering and a nice surplice neckline. It’s not a million miles away from my 30th birthday dress, which is probably why I was drawn to it!

This tie-hem shirt is styled for a party here, but I think this could be a really great casual top, too. It’s made for wovens, and with the kimono sleeve it means there’s only two patterns pieces plus the hem binding, so it’d be super quick to sew it! It reminds me a little of a Pattern Magic design that I drafted and muslined but haven’t quite sewn up yet, though the tie on that is in a different position.

My galaxy-print birthday sheath dress

Happy birthday to meeeeee! I hinted about it last week, but I decided to celebrate the occasion this year by sewing up something special to wear, using a fabric that I’ve lusted over for months even before I broke down and ordered it. My feeling is that if you adore the fabric or pattern (or both!) then the resulting garment is pretty much guaranteed to be a hit.

For this dress I used the Derek Lam-inspired knit sheath from the January 2014 Manequim magazine combined with the most amazing galaxy print ponte jersey which is even nicer in real life, I swear! It’s a digital print on a smooth, white ponte jersey base, and it’s both stable and stretchy, making it the bestest fabric ever (and I have just over a metre leftover! woo!).

It’s been a while since I sewed a Manequim pattern and I’ve dropped in size over the past few months of marathon training to a 42 (Burda 40), so I decided to sew up a muslin of this first to test the fit. The resulting turquoise ponte muslin was very close fitting, and I wasn’t entirely certain at first whether it was too tight, or utterly perfect. So I lounged around in it for a day, decided it was comfortable enough, then cracked on with the final version without any pattern changes.

The final version is definitely tighter than the muslin, though, and I’m fairly certain it’s down to adding the lining layer, even though it’s stretchy! You can definitely see some horizontal pulls in the dress showing it’s a tad too tight, and it’s a struggle to get that waist seam on and off over my boobs, but one it’s on, it’s not uncomfortable, thankfully!

The pattern is really simple – a front bodice with both vertical and horizontal bust darts, back bodice with long vertical darts, raglan cap sleeves, and a skirt pattern with vertical waist darts (the same skirt pattern is used for both front and back). The pattern calls for a long invisible zipper, but as I could easily get the muslin dress on and off without it, I was going to leave it off the finished version, too…

…until I discovered the most perfect purple, metal teeth zipper in my stash! So then I decided I had to use it and make it an exposed zipper feature instead. It was a bit shorter than I’d have liked, but it reached exactly to the waist seam, which worked out nicely visually (though for ease of getting in and out of it, a longer zipper would’ve been much better!).