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Patrones spring coat

By now, you should be fully familiar with Patrones #261-17, the spring duffle coat I’m making in turqouise basketweave wool…

After all, first it won the public vote, then you heard about how I bulk fused the tricky wool, then you saw all about my muslin and the resulting fit alterations, then you saw how I dealt with the tricky hood seam allowances and finally, last week you got a chance to see the bound buttonholes and the finished shell.

I’ve been concentrating on assembling the lining (and the lining pocket) all weekend, and finally finished all the handsewing at Monday night’s moorings crafty club!

Patrones spring coat – finished shell

Are you thoroughly sick of the sight of the Patrones spring coat yet? Well, too bad, because it’s taking me forever!

The good news is, I sailed smoothly over the speed bump that caused me so many headaches and delays in making my winter coat – the bound buttonholes. I’d already decided that with such a thick, loosely woven fabric that’s so prone to unravelling, that I’d use the satin bias tape I’d bought for binding the hood seam allowances to also make the bound buttonholes.

So I pressed the satin bias tape flat, cut it down to 1/2 inch wide strips, then folded these in half (right sides out) to make the buttonhole “lips”. After basting my ladder stitches on all the coat tabs, I did the usual technique of sewing these lips to the right side and cutting open the buttonholes.

But here’s where I deviated a bit – since my wool unravels so much, I knew that trying to stitch those tiny triangles at the ends would just be an exercise in futility, so I pulled out some lightweight knit interfacing and cut out a tiny strip. I then pulled the triangles to the back and fused the interfacing over top to keep them out of the way:


(It’s a bit hard to see but the mesh white interfacing over the left and right ends is there!)

Patrones spring coat – hood and more…

On Saturday I went shopping for supplies with Johanna Lu while she was holidaying in town, yay! We hit up Goldhawk Road and MacColluch & Wallis so I was able to get the rest of the supplies I needed for the spring coat, as well as stock up on a few things I knew would be difficult to get online for the rest of the year, like quality interfacings (I knows it when I feels it, okay?). She had the forethought to bring a camera along shopping, so you’ll have to stalk her blog for the next few days to see us giddy in fabric mecca!

I was very disciplined on Goldhawk Road and only bought three fabrics (at the end of the list there) – grey corduroy, since I adore the cords at one particular shop there and I don’t think I’ll be able to go back before Fall, a red & white cotton poplin with stylised flowers that’s already earmarked for two projects, and my one impulse buy – a very cool lycra jersey with tons of overlapping stripes going every which way. Oh, and the lining for my Spring coat.

Speaking of that Patrones spring coat:

Patrones spring coat – muslin & alterations

Since I’m not entirely confident of how Patrones patterns fit me, and I’m equally not confident that I am a size 44 anymore (well, I was when I traced it 18 months ago, argh), I decided to play it safe and make a bedsheet muslin for my Patrones spring coat before cutting into the basketweave wool. If you remember, this is the coat:

And this is how the muslin looks straight off the pattern sheets:

Patrones 56 magazine

It’s been a while since I had a Patrones magazine to share, but I kept an eye out for them while we were in Malaga last month. Eventually I found one on a newsstand in the centre of Malaga, but they certainly weren’t as easy to find there was they were in Argentina, which is more than a little odd considering it’s a Spanish magazine. It comes sealed so the pattern sheets don’t get separated or lost (as they’re not stapled in place like Burda), but it also means you can’t peek at the styles before you buy.

Anyway, if you’ve been following along with my reviews over the years, you might recall that they used to do knockoff patterns of seriously high fashion designers, then there was a fallout and they stopped being able to name any non-Spanish designers (so no more Gucci, Prada, Paul Smith, etc), and around the same time they also started to produce compilation magazines made up of a bunch of old patterns and photos lumped together. The only way you could tell the difference between the latest styles and the “latest” compilation was to look at the issue number, as the “new new” were in the 4-500s and the “not really new” had very low issue numbers.

Patrones magazine 342

While we were in Argentina in August, I kept my eyes peeled for Patrones issues whenever we passed a newsagent. It didn’t take long before I found this one on a newstand in Mar del Plata (and 343, which I already own), likely from last winter but who cares? Patrones do the best coat patterns, and this is a Coats Special!! I’ve made so many of theirs in in the past, most notably my winter coat (still my main winter coat several years later!), the silver tweed jacket I throw on in summers, and my duffle coat, which I wore until it was literally in tatters. I’ve got some wool coating burning a hole in my stash right now, so it’s likely I’ll look to Patrones for this coat, too.

I was mostly drawn to the top, but the Armani blazer is also worth a note for its razor-sharp lapels! On first glance, the top has a shape very similar to a lot of other patterns (like that Lekala top I made a few years back) but a closer look reveals it’s actually got two layers – a satin layer underneath and a gauze layer on top.

This menswear-inspired sheath dress would be a great alternative to the clichéd skirt suit for business meetings! Apart from the curved waist seaming, I love the waist-lapel – it feels more like a blazer than a peplum (which we’re all so over by now, right?). This also reminded me of Charity Shop Chic’s recent spectacular Dior-inspired refashion, too.

Ok, now on to the coats feature, and, ignoring the bubblegum pink colour, I just love this dolman sleeved cocoon coat! It fastens with a hidden zipper placket and only uses 2m of wool, which is conveniently the exact amount of my navy wool coating… This is now top of my list to muslin!

MyImage Purple coat – in progress

Yesterday I mentioned that I’ve started sewing the asymmetric, collared coat from the Winter 2011 MyImage magazine, and after a prep period that felt like forever (probably exasperated by the fact that my ironing station is hovering around 0C/30F), I’ve now got some progress to show you!

I’m sewing this up in a wonderful purple basketweave/boucle coating, which was another gift from Claire (she’s so good to me!) at the end of last winter. I always like to underline my coats when I can to just add that little bit of extra warmth, but it made even more sense here as it will help to stabilise the coating fabric and prevent any bagging out that might otherwise occur with looser-weave fabrics. The alternative is to block-fuse the coating with a lightweight interfacing, like I did with my Patrones duffle coat.

For this coat, all the facings were interfaced (the usual front and back facings, plus the front and back hip band facings), and pretty much everything else was underlined in black cotton flannel. This meant there was a lot of prep – everything but like 3 pieces needed underlining or interfacing! I love sewing, but prepping is dull dull dull work!

I machine-basted the flannel underlining to the coat pieces here, because frankly, the prep work was tedious enough as it was. I normally hand baste my underlinings, but in this case, the coating and the flannel “grabbed” each other quite nicely, so this, plus the walking foot, plus a long basting stitch meant it felt okay to do it by machine. I still made sure to never turn any corners though (when basting underlinings, you always stitch to the edge, cut the threads, reposition, and stitch the adjacent side so that you don’t create puckers at the corner)!

Patrones 299, 300, 301, and Costura Facil

I ordered these from a new-to-me Spanish magazine shop, No Pares de Leer. The prices (and shipping) were about the same as Hos Hanne, but the shipping was tracked by default so I could see exactly how slowly it was making its way to me…

Patrones 299

This is the last of the winter issues (sob!), but at least it’s full of what Patrones do best – coats!! I even like the coat on the cover, though I like it better without the enormous bow.

In the first coats feature (on that “Patrones beach” we’ve seen in pretty much every issue), I rather like this big, asymmetrical collar coat, but it does remind me of the Vogue Armani-knockoff pattern so many people have made (and I’ve loved, too).

This topstitched, seamed jacket just oozes cool. The detailing is just fantastic on this, too – they even added a little pouch to the belt!

Post-coat winter sewing plans

Now that I’ve got my big winter coat sewing out of the way, I can turn my attentions to filling in a few gaps in my winter wardrobe. Sewing these things now means I can get another good 3-4 months of wear out of them before moving on to short sleeves and lighter jackets (no really, for the past few years we’ve had flurries and hard frosts in April or May).

So I’ve gathered together the patterns I’d most like to sew along with fabrics I’ve got in my stash that would help fill my wardrobe voids…

Starting at the top of this collage, we’ve got:

The Winter Coat

Hooray, my winter coat is finally finished! As you may have seen with all the coat sewing activity going on around the internet lately, making your own coat is no mean feat! While you’re perfectly able to take some shortcuts, it’s still a several week time investment no matter how you look at it. It’s for this reason that lots of us chose to sew them over the holidays, as it doesn’t feel like quite such a long ordeal if you’ve got several full days to devote to it at one stretch.

If you remember, I used Patrones 285 #29, but with the collar from #28 and major changes to the pockets so that I can easily put my hands inside while I walk to work (which I did today wearing it! yay!). After a muslin, the main changes I made were to lower the waist seam to match my natural waist, shorten and widen the front darts, add walking ease to the lower centre front, and change the pocket design.

I’ve already made a lengthy post about the coat construction and hair canvas interfacing, plus tons of HAWT handstitching action, so if you’re interested in the couture techniques I used or some interior shots of the coat shell, please click through before reading on…